Silena Lambertini (Italy)
Silena Lambertini is a self-taught photographer based in Italy who creates amazing landscape photographs. With some post processing involved, the mystic light leaves a trail of the total silence.
© All images courtesy the artist
Daily Overview - One satellite photograph per day, highlighting the places where humans have most impacted the planet.
Nathan Fillion is not appreciated enough.
Apparently kylesimmonsstache gets really excited about art.
LET’S FUCKIN TALK ABOUT ART
OH WHOA THAT’S A SWEET ASS MOTHERFUCKING CLASSICAL PAINTING BUT THEN FUCKIN LOOK AT THE DETAIL
TTHHHIIISSSSS IISSSSS AAAAA PAAAIINNNTTTIIINNNGGGG?!!?!!?!!!?!?!!! WHAT TO HECK????
FUCKIN SWEET ASS DAFT PUNK COLORED PENCILS HELLA
LOOK AT THIS AND TELL ME IT ISN’T FUCKIN RAD AS HELL
THIS LOOKS LIKE A SCENE OUT OF A MOVIE
OH SWEET LOOK AT THIS SCULPTURE RIGHT
JUST WAIT A FUCKIN MINUTE HERE
THIS IS A DRAWING MADE TO LOOK LIKE A SCULPTURE I CAN’T FUCKING
LOOK MORE SWEET ASS COLORED PENCIL DRAWINGS
NOW I’M ABOUT TO TALK TO YOU ABOUT MY BRO BERNINI OKAY JUST TRUST ME ON THIS
ALREADY GORGEOUS RIGHT
FUCKING LOOK AT THAT LOOK AT IT I’M FUCKING
HOW DOES MARBLE LOOK LIKE GOSSAMER FABRIC HOOOOOWWWW??!!!!?
Zanele Muholi: Of Love & Loss (2014) - Currently showing at Stevenson Gallery in Johannesberg (South Africa) from 14 February - 4 April 2014.
The opening coincides with the presentation of a prestigious Prince Claus Award to Muholi.
In times of increasingly homophobic legislation enacted by African countries and in a climate of intolerance towards homosexuals in the Western world, South Africa distinguishes itself with a Constitution that recognises same-sex marriages; yet the black LGBTI (lesbian, gay, bisexual, transgender and intersex) community is plagued by hate crimes. Black lesbians are particularly vulnerable and are regularly victims of brutal murders and ‘curatives rapes’ at the hand of neighbours or ‘friends’.
Since 2013 Muholi has been documenting weddings and funerals in the black LGBTI community in South Africa, joyful and painful events that often seem to go hand in hand. The show features photographs, video works and an installation highlighting how manifestations of sorrow and celebration bear similarities and are occasions to underline the need for a safe space to express individual identities.
As Muholi writes:Ayanda Magoloza and Nhlanhla Moremi’s wedding in Katlehong took place four months after Duduzile Zozo was murdered in Thokoza. Promise Meyer and Gift Sammone’s wedding in Daveyton took place on 22 December in Daveyton, 15 days after Maleshwane Radebe was buried in Ratanda. Six months earlier, Ziningi and Delisile Ndlela were married in Chesterville, Durban. Many in the area attended the ceremony, blessed the newlywed couple and prayed for them and their children. We long for such blessings as we continue to read about the trials and tribulations that LGBTI persons experience in their churches, where homosexuality is persecuted. In 2014, when South African democracy celebrates its 20 years, it seems more important than ever to raise again our voice against hate crimes and discriminations made towards the LGBTI community.
The exhibition includes also a series of autobiographical images, intimate portraits of Muholi and her partner taken during their travels, a tender counterpoint to the tension still generated in South Africa today by same-sex and interracial relationships.
Amelie dir. Jean-Pierre Jeunet (2001)